Tuesday 26 October 2010

demolished




可能她們唱什麼已經不再重要,因為英文唱起來比中文好聽
可能今年的黑絲襪黑靴子一定要,因為國外都這樣穿
可能在美國之後,是無止盡的英國、法國、義大利
文青小資一定要喝咖啡,Monocle跟Wallpaper要奉為圭臬
說到泳褲跟訂製香水、手工玳帽框總是頭頭是道
舔別人的屁股都一定比聞到自己的香
全球化與資本主義敗壞了我,敗壞了年輕的一輩
不是說那些精英文化不可取,而是你找得到自己在哪裡嗎?
你是一個精英,還是模仿精英、荷包空空的follower?

當然大有一席之地、第四張畫、當愛來的時候
這些拍社台灣故事的電影,讓人覺得是二次台灣電影復興。
可是能有自覺與自我認知的觀眾已少
知道陳映真的人不到閱讀女王與史丹利的十分之一
頂多拿一套龐克與文青的套裝做為偽裝

崩壞的成分大過完好的五分之一
就憑聽了不知所云的音樂
每一年一再重複的楊陳林、張會妹、阿信、配岑
少女雜誌鼓吹潮流與美妝
療傷系部落客分享失戀心情

我們能去得了哪裡?
我們還會崩壞到哪裡?
Where is the originality and authenticity?

zines from GDR













These are the photos from the magazines issued in GDR. we thought that there wouldn't be any cultural products in communist country, but the fact is that there were loads of fashion magazines since the trends are the least harmful thing for dictators.


Honestly, being an insider of publishing industry, these layouts and photos are actually much better than many we had seen on the zines. They are not out-of-date yet. The message is clear, the photos tell the stories directly instead of sending the ambiguous and mysterious  information to the readers.

shame on us, but why couldn't we make progress with more spaces of publishing freedom and why didn't we grow with time?

Sunday 17 October 2010

swiss cult

I ran into this girl in front of Lafayette. She's like an actress-despite the fact that she looks more like the version in reality-in Silent Hill, a bit gothic, a bit doll-look, but she's sweet and nice in person. I noticed her whilst I was talking on the phone with Alex. As soon as I found her vintage lace shirt, I couldn't concentrate on the call..(sorry Alex), then I hung up the phone quickly and asked her before she walked across the road if she would like to let me take a photo. She said yes sans doubts. 

And Then I know, I am a bit tricky, but I took photo when she was still checking her shirt with ciggie in her mouth. But I like her in this way, I mean, without any defence of gothic look..

It's too bad that you couldn't see her shirt in face, it's embroidered with trimmed collars, very delicate. And, when it comes to a hand-made old shirt, simply a black dress will make it shine. I asked her where she found this shirt, she said, it's just from a little flea market in Swissland. yes, she can speak in french, english and german cos she's a swiss girl. You can tell her confidence from her eyes, innit?

passengers were everywhere back to that afternoon, it's a bit pity that I didn't find the best opportunity to take photo with better background. Just want to let you know that she paired up her dress with vintage heeled ankle boots.

Wednesday 13 October 2010

muses for this week

gemini's fantasy is always various, especially on the outfits. from androgynous, vintage geek, sophisticated and feminine to effortless casual chic, we can't make up our minds to focus on one style. But, I'll say it's our strength to try everything with no fear.

These are the photos I collected from other bloggies or websites, I forgot to note down the links, but I'll do so next time.

this is my fave one,a bit too masculine, but I quite like the metal mesh tank to layer up the shirt.

this photo must be from jak and jil. love her style as usual.



Wednesday 6 October 2010

5 Octobre

我現在一個人坐在巴黎公寓一樓的地板上,如果說這是我人生中最慘的其中一天,可能也不為過。徹頭徹尾就是走了霉運,反正沒一件好事,選哪條路就是哪條路錯。

早晨出門開始,誤打誤撞走進Helmut Newton Foundation,這大概是一整天唯一一件好事,在那裡看了許多Helmut & June的照片。他喜歡拍裸女。其實跟Guy Bourdin的裸女有一樣怪誕的美感,可是在Helmut的照片中,你能更加感受到那種胴體的慾望蠢蠢欲動,乳房變成不再是一個令人羞赧的器官,而是如呼吸一樣自然的存在,在鏡頭前面,又或是在公眾之前,也無需要遮掩害羞。並且,在他的照片裡,女人乳房的堅挺或微垂,乳暈如漩渦又或如花苞的大小,這都是我們與生俱來的天賦。

此外,他跟老婆June結褵要五十年,看到他們兩人的照片,我更是感動,那是叫人再羨慕不過的理想關係,互相了解,互相理解,在June為他拍的紀錄片裡,他總是拿著鏡頭,穿著一雙白布鞋、牛仔褲、繫著老皮帶,如同要嚙食的動物一樣,聲音忽大忽小,說明他情緒隨著模特兒的一舉一動所起伏,June就在一旁安靜地為他做記錄片。片子的尾端,Helmut Newton在講一通重要的電話,眼尾是充滿了歲月的痕跡,和那張許多年前的結婚照早已不同,也和再個十多年前、他穿著修女服的輕浮模樣早不相同,可是他說完電話以後,也不顧鏡頭電源都還開著,就朝June那裡啾了一下嘴巴,作勢向她索吻。

如果真有什麼是幸福的樣板,恐怕這就是那張理想的圖。你在你們所喜愛的事物裡面一塊兒成長,一塊變老,成熟或者不願長大,但始終分享相同的語言,從沒有因為歲月或者時代,又或是身邊的誘惑,而改變了價值觀。然而在這樣的國度裡面,你們能夠互相扶持,無論疾病或者貧窮,無論富貴或者榮華,我相信那就是永遠。

在荷蘭的日記






親愛的樂

那天我去了阿姆斯特丹的梵谷美術館,比起奧賽美術館裡頭展出的,這裡多了更多他待在低地國度創作的畫。老有種錯覺,認為梵谷可能是一個沉默、喜歡大自然勝過於都市生活、重感情、不愛也不擅於與人交往的人。

往往若有畫家能到巴黎、能到大城市裡生活,一如像畢卡索這樣子,可能早就賴著不走,也不認家了。可是梵谷也許一來因為財務狀況不佳,他也並不喜歡都市生活,只有到後來病發了,到Auvers-Sur-Oise居住,才讓生活慢慢回歸安寧,這件事情是跟莫內相同的,且不管商業與否,兩者都對於兒時看過的自然情景反倒懷念。但卻也因此,他便越往黑洞裡頭跳,誠信自己未來就是一個 [failure]。在那張,傳說中最後的一幅畫裡,天空非常地沉,沉得把明亮的稻草田壓得很低,烏鴉也跟著飛得低低的,在天與地的邊際,渾雜的黑宛如不祥的預兆,沒幾天以後,他就在親愛的稻田裡,向自己胸膛開了兩槍自盡。過了兩天,弟弟來探望他時,梵谷就這麼死在弟弟Theo的懷裡。

我知道他的絕望。就像我們篤信,人生可能就這個樣子,不會再有變化了,不會再有作為了。在他畫向日葵的時候,也一度因為自己向日葵畫得很好,沾沾自喜,像個孩子一樣跟高更提到這些生氣勃勃的花兒,甚至自信地把黃色的向日葵畫在黃色背景上,yellow in yellow,多麼驕傲的色彩交疊,不難看出他對這幅畫多麼有信心。又或者是,在Theo的太太生小孩時,梵谷難能可貴地畫了一幅Almond Blossom,背景的藍色,是他較少用到的藍色,我不懂美術,也念不出那顏色的名字,他介於土耳其藍、孔雀藍與深藍之間,帶一點綠與紫,上頭的花瓣卻暈著紅粉,意味著二月裡春天初來乍到,帶來生命裡的新希望,畫裡不但有他最喜歡的日本文化,同時也能感受到新生的力量。畫送到Theo手裡時,他把它掛在家裡鋼琴上方,高高的,在最醒目的地方。

Almond Blossom,可惜顏色沒有真畫那麼飽滿


但是,那些曾經閃過的期盼、興奮,卻在他人生最後,好像全然消失了一樣。草木花朵都不再說話了,原來跳舞的橘色、綠色、黃色、藍色,最後只變成沉默的黑與深藍。

我討厭每次博物館都把矯情的照片放在展覽的最後,就像利物浦披頭四博物館也爛得要命,但最後放一座藍儂的白色鋼琴,活脫脫就是催淚的利器。然而,梵谷博物館亦然,走出來的剎那,會看到一副很大的照片,是Vincent Van Gogh 以及Theo的墓碑,兄弟倆被葬在一起,因為梵谷過世以後的六個月,Theo也走了。誰能想像得到,只差那麼一步,他們就能看到成功?誰能想像得到,兄弟倆能這樣互相扶持到人生最後?



稻草生得高入天際
泥塵也被染成鮮紅
我所喜愛的黃,渾著鮮血的渣。

深藍色的天空沉沉要碰到地。
放眼望去,看不見
百里以外的目的地
看不見清醒時分的景致
看不見成功以後的勝利

我被困在這裡
被稻草和繩子紮得緊實不得動彈
無助地任黑烏鴉輕蔑自在地站在肩頭上
他們用夜晚的色澤讓我喘不過氣。

從今以後,春天也許不會再來
暮色在低垂以後
向日葵也不會再有更易
我活在我的名字裡:
我寫起來是個牢籠,
你們看起來是株花朵。